
Average Reviews:

(More customer reviews)Steven Schick's book is wonderfully written and extremely informative. His in depth discussion of several solo percussion masterpieces is an essential read for any aspiring, accomplished percussionist. Schick is undeniably at the forefront of this all to often overlooked idiom, and he shares his knowledge, experience and most importantly his struggles in this book. It is accompanied with a CD featuring Schick performing works such as Wourinen's Janissary Music, Lang's Anvil Chorus, Ferneyhough's Bone Alphabet, Xenakis' Rebonds and more.
If you are a percussionist who plans on persuing a career in music I cannot stress enough how important Schick has been to our artform, and to read about it through his perspective is a privelage that should not be passed up. I would also highly recommend this book to any musician outside of percussion as an interesting read.
Click Here to see more reviews about: The Percussionist's Art: Same Bed, Different Dreams (Eastman Studies in Music)
In the beginning there was noise. Drumming, the world's most ancient instrumental tradition, re-emerged explosively in the concert music of the twentieth century as music for percussion, involving drums and many other kinds of noisemakers. The music that resulted has spanned an expressive and intellectual gamut: from Cage, Varèse, and Cowell came the first ear-splitting sounds of an American percussion revolution that began in the 1930s; from Stockhausen, Ferneyhough, and Xenakis we have music whose intellectual demands are matched by a vibrant physicality; Feldman gave us gently unfolding structures; John Luther Adams finds music within the earth itself. The Percussionist's Art: Same Bed, Different Dreams examines this music through the eyes of a performer. The book is a practical philosophy, looking not just at the big ideas behind these and other pieces, but also at how those ideas find expression in sound. Foreword written by Paul Griffiths. Contains a Compact Disc of Steven Schick performing eight musical works that he discusses in detail in the book. Composers include John Luther Adams, Brian Ferneyhough, Michael Gordon, David Lang, Edgard Varèse, Charles Wuorinen, and Iannis Xenakis.
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